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Me and Earl and the Dying Girl (Revised Edition)
Me and Earl and the Dying Girl (Revised Edition)
THE BOOK THAT INSPIRED THE HIT FILM!
Up until senior year, Greg has maintained total social invisibility. He only has one friend, Earl, and together they spend their time—when not playing video games and avoiding Earl's terrifying brothers— making movies, their own versions of Coppola and Herzog cult classics. Greg would be the first one to tell you his movies are f*@$ing terrible, but he and Earl don't make them for other people. Until Rachel.
Rachel has leukemia, and Greg's mom gets the genius idea that Greg should befriend her. Against his better judgment and despite his extreme awkwardness, he does. When Rachel decides to stop treatment, Greg and Earl must abandon invisibility and make a stand. It's a hilarious, outrageous, and truthful look at death and high school by a prodigiously talented debut author.
Up until senior year, Greg has maintained total social invisibility. He only has one friend, Earl, and together they spend their time—when not playing video games and avoiding Earl's terrifying brothers— making movies, their own versions of Coppola and Herzog cult classics. Greg would be the first one to tell you his movies are f*@$ing terrible, but he and Earl don't make them for other people. Until Rachel.
Rachel has leukemia, and Greg's mom gets the genius idea that Greg should befriend her. Against his better judgment and despite his extreme awkwardness, he does. When Rachel decides to stop treatment, Greg and Earl must abandon invisibility and make a stand. It's a hilarious, outrageous, and truthful look at death and high school by a prodigiously talented debut author.
THE BOOK THAT INSPIRED THE HIT FILM!
Up until senior year, Greg has maintained total social invisibility. He only has one friend, Earl, and together they spend their time—when not playing video games and avoiding Earl's terrifying brothers— making movies, their own versions of Coppola and Herzog cult classics. Greg would be the first one to tell you his movies are f*@$ing terrible, but he and Earl don't make them for other people. Until Rachel.
Rachel has leukemia, and Greg's mom gets the genius idea that Greg should befriend her. Against his better judgment and despite his extreme awkwardness, he does. When Rachel decides to stop treatment, Greg and Earl must abandon invisibility and make a stand. It's a hilarious, outrageous, and truthful look at death and high school by a prodigiously talented debut author.
Up until senior year, Greg has maintained total social invisibility. He only has one friend, Earl, and together they spend their time—when not playing video games and avoiding Earl's terrifying brothers— making movies, their own versions of Coppola and Herzog cult classics. Greg would be the first one to tell you his movies are f*@$ing terrible, but he and Earl don't make them for other people. Until Rachel.
Rachel has leukemia, and Greg's mom gets the genius idea that Greg should befriend her. Against his better judgment and despite his extreme awkwardness, he does. When Rachel decides to stop treatment, Greg and Earl must abandon invisibility and make a stand. It's a hilarious, outrageous, and truthful look at death and high school by a prodigiously talented debut author.
Reviews-
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August 31, 2015
Senior Greg Gaines has drifted through high school trying to be friendly with everyone but is friends with no one, moving between cliques without committing. His only hobby is making awful movies with Earl, his foul-mouthed pal. Greg’s carefully maintained routine is upset when his mother encourages him to spend time with Rachel, a classmate suffering from leukemia. Greg begrudgingly befriends Rachel, before being conned by another classmate into making a movie about her. The story employs a number narrative devices, including screenplay-style passages, bulleted lists, movie reviews, and fake newspaper headlines, which are expertly handled by a chorus of voice actors (Keith Szarabajka, Hillary Huber, Kirby Heyborne, Abigail Revasch, and Adenrele Ojo). The use of multiple voices textures the story and increases the entertainment value of the entire audiobook. Ages 14–up. An Abrams/Amulet paperback.
